The image it shows when it lies open is a reproduction of a painting by Vermeer, whom Dalí greatly admired and often referred to in his own paintings. [22], It was Buñuel's intention to shock and insult the intellectual bourgeoisie of his youth, later saying: "Historically, this film represents a violent reaction against what at that time was called 'avantgarde cine,' which was directed exclusively to the artistic sensibility and to the reason of the spectator. The young man and the young woman watch these events unfold from the apartment window. "Debaser" is a song by American alternative rock band Pixies, and is the first song on their 1989 album Doolittle. Related. Some accounts even claim that, in the first version of Debaser, ‘un chien Andalusia’ was actually ‘Shed, Appolonia!’, an oblique reference to the Amazonian co-star of the 1984 Prince flick Purple Rain . [17] For example, the rotting donkeys are a reference to the popular children's novel Platero y yo by Juan Ramón Jiménez, which Buñuel and Dalí hated. Notable attendees of the première included Pablo Picasso, Le Corbusier, Jean Cocteau, Christian Bérard and Georges Auric, in addition to the entirety of André Breton's Surrealist group. The only method of investigation of the symbols would be, perhaps, psychoanalysis. [16], The movie contains several thematic references to Federico García Lorca and other writers of that time. [28] Dalí stated that the theme of the new film was to parallel that of the first: "to present the straight and pure 'conduct' of someone who continues to pursue love despite wretched humanitarian ideals, patriotism and the other poor mechanisms of reality. However, this special effect was modified due to budget limitations, with the film ending with a still shot of the man and woman, who had been walking in the previous beach scene, half-buried in the sand and apparently dead. [8] It is a black and white, 35 mm, silent film, with a running time of 17 minutes, although some sources state 24 minutes, and a physical length of 430 meters.[9]. She pokes at a severed human hand with her cane while surrounded by a large crowd held back by policemen. Another young man, whom we see only from behind, dressed in lighter clothing, arrives in the apartment, gesturing angrily at him. The second young man, now in a meadow, dies while swiping at the back of a nude female figure which suddenly disappears into thin air. Rupanya kami tidak dapat menemukan apa yang Anda cari. The androgynous young woman contemplates something happily while standing in the middle of the now busy street clutching the box. The young woman very nervously applies some lipstick in response. Girly so groovy refers to the man in Un Chien Andalou's obsession with the woman. "[7], The film was financed by Buñuel's mother, and shot in Le Havre and Paris at the Billancourt Studios over a period of 10 days in March 1928. Related. Ini adalah contoh halaman. Un Chien Andalou has no plot in the conventional sense of the word. Mungkin pencarian dapat membantu. As he is unable to pursue, the young woman escapes the room. The young man corners her as she reaches for a racquet in self-defense, but he suddenly picks up two ropes and drags two grand pianos containing dead and rotting donkeys, stone tablets containing the Ten Commandments, two pumpkins, and two rather bewildered priests (played by Jaime Miravilles and Salvador Dalí) who are attached by the ropes. Modern prints of the film feature a soundtrack consisting of excerpts from Richard Wagner's "Liebestod" from his opera Tristan und Isolde and a recording of two Argentinian tangos, "Tango Argentino" and "Recuerdos" by the Vicente Alvarez & Carlos Otero et son orchestre. I am un chien andalusia I am un chien andalusia I am un chien andalusia I am un chien andalusia Wanna grow up to be Be a debaser Debaser Debaser Debaser Debaser Debaser Got me a movie Ha ha ha ho Slicing up eyeballs Ha ha ha ho Girlie, so groovy Ha ha ha ho Don't know about you But "[3], This article is about the single by Pixies. Don't know about you, but I am Un Chien Andalusia is a curious statement. But I am un chien andalusia Wanna grow Up to be Be a debaser, debaser Got me a movie Ha ha ha ho Slicing up eyeballs Ha ha ha ho Girlie so groovie Ha ha ha ho Don't know about you But I am un chien andalusia Debaser According to Black Francis: The title "Debaser" references the fact that Un Chien Andalou debases morality and standards of art, according to Black Francis. The subsequent title card reads "around three in the morning". The film opens with a title card reading "Once upon a time". "—a reference to a scene in the Prince film Purple Rain. To us, Buñuel, big and athletic, his black eyes protruding a little, seemed exactly like he always is in Un Chien Andalou, meticulously honing the razor that will slice the open eye in two."[27]. The sequel was not a success with Parisian high society. Excitedly, Buñuel declared: "There's the film, let's go and make it. "[23] Against his hopes and expectations, the film was a huge success amongst the French bourgeoisie,[24] leading Buñuel to exclaim in exasperation, "What can I do about the people who adore all that is new, even when it goes against their deepest convictions, or about the insincere, corrupt press, and the inane herd that saw beauty or poetry in something which was basically no more than a desperate impassioned call for murder?"[25]. We see the second young man's face for the first time (and discover that he is also played by Pierre Batcheff) as he admires the art supplies and books on the table near the wall and forces the first young man to hold two of the books as he stares at the wall. The young man chases after her, but she traps his hand, which is infested with ants, in the door. The "Head On" single includes a live version of the song recorded in Chicago on August 9, 1989, and a recording from Debaser December 16, 2004, in New York City appears on "Hey" – Live Pixies 2004–2005. When I think about Boston this overwhelmingly sad feeling takes over. [18], Anthropologist Jean Rouch has reported that after filming was complete, Buñuel and Dalí had run out of money, forcing Buñuel to edit the film personally in his kitchen without the aid of a Moviola or any other technical equipment. Updated: Jan 31. Francis accentuates the ‘chien’, before things subside with: ‘Wanna grow up to be/Be a debaser.’ Deal’s faint backing vocal acts as a nervy echo of Francis’s. Andalusia is the Southern region of Spain including Sierra Nevada & valley of the Guadalquivir. However, the film abruptly cuts to the final shot with a title card reading "In Spring", showing the couple buried in beach sand up to their elbows, motionless and perhaps dead. Writer(s): Francis Black, Thompson Charles Michael Kittredge Iv. The subsequent title card reads "Sixteen years ago". The young woman pushes him away as he drifts off and she attempts to escape by running to the other side of the room. For many years (and still), published and unpublished reports have circulated that Buñuel had used a dead goat's eye,[10][11] or that of a dead sheep,[12] or of a dead donkey,[13] or other animal, in the notorious eyeball-slicing scene. It means an Andalusian dog. The woman represents lust by the way. Based on French surrealistic film "Un Chien Andalou", by Spanish director Luis Bunuel (1928). [32] Roger Ebert had called it the inspiration for low budget independent films. The film was shown before each show in lieu of an opening musical act. Subsequently, the first young man makes the young woman's armpit hair attach itself to where his mouth would be on his face through gestures. The Eraserheads named a song from their fifth album, Sticker Happy, after the film. The young man is roused from his rest by the sound of a door-buzzer ringing (represented visually by a Martini shaker being shaken by a set of arms through two holes in a wall). Through their accomplishment with Un Chien Andalou, Dalí and Buñuel became the first filmmakers to be officially welcomed into the ranks of the Surrealists by the movement's leader André Breton, an event recalled by film historian Georges Sadoul: "Breton had convoked the creators to our usual venue [the Café Radio] ... one summer's evening. Open the way to the irrational. "I … Despite the criticism, however, the film was never banned. Songs You Love If You Love Nerds; NEW SONG: AC/DC - "Shot In The Dark" - LYRICS; HOT SONG: 21 Savage x Metro Boomin - "My Dawg " - LYRICS; Wanna grow up to be Be a debaser (Debaser) Debaser (Debaser) Debaser (Debaser) Debaser And the objection was immediately accepted as completely justified. A slim young man (Pierre Batcheff) bicycles down a calm urban street wearing what appears to be a nun's habit and a striped box with a strap around his neck. Wanna grow up to be Be a debaser, debaser Debaser, debaser. The young woman returns to the apartment and sees a death's-head moth. As she exits her apartment, the street is replaced by a coastal beach, where the young woman meets a third man with whom she walks arm in arm. Subbacultcha. Dalí responded that he had dreamed about a hand crawling with ants. The next day, Charles de Noaille learned that he had been expelled [30] from the Jockey Club de Paris. The film includes a scene in which a woman's eye is slit by a razor, which is referenced in the song lyric "Slicin' up eyeballs/I want you to know." According to Black Francis: The first young man eventually shoots the second young man when the books abruptly turn into revolvers. "[5] He also stated: "Nothing, in the film, symbolizes anything. The young woman resists him at first, but then allows him to touch her as he imagines her nude from the front and the rear. Andalusia is a neighborhood in Spain. He then opens the door, and idly fingers the razor while gazing at the moon, about to be engulfed by a thin cloud, from his balcony. They seem to walk away clutching each other happily and make romantic gestures in a long tracking shot. The film was totally in keeping with the basic principle of the school, which defined Surrealism as 'Psychic Automatism', unconscious, capable of returning to the mind its true functions, beyond any form of control by reason, morality or aesthetics. He shows her the time on his watch and they walk near the rocks, where they find the remnants of the first young man's nun's clothing and the box. A week of impeccable understanding. There is a cut to an androgynous young woman, with bobbed hair and dressed in rather masculine attire, in the street below the apartment. The first young man sneers at her as she retreats and wipes his mouth off his face with his hand. For music groups with this name, see, https://en.wikipedia.org/w/index.php?title=Debaser&oldid=1000419675, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License, "Bone Machine", "Gigantic", "Isla de Encanta", "Debaser" (Live in Chicago, August 10, 1989) – 2:44, "Holiday Song" (Live in Chicago, August 10, 1989) – 2:10, "Nimrod's Son" (Live in Chicago, August 10, 1989) – 3:08, "Bone Machine" (Live in Netherlands, 1990) – 3:03, "Isla de Encanta" (Live in Netherlands, 1990) – 1:44, This page was last edited on 15 January 2021, at 01:12. Tidak seperti pos, yang ditampilkan di halaman depan blog Anda dengan urutan penerbitannya, halaman lebih cocok untuk konten yang tidak memiliki batas waktu yang Anda inginkan untuk dapat diakses dengan mudah, seperti informasi Tentang atau Kontak. P. Pixies Lyrics. Don't know about you, but I am Un Chien Andalusia is a curious statement. [34], The lyrics of the Pixies' song "Debaser" are based on Un Chien Andalou.[35]. The film has a scene in which an eyeball is being cut open. There is a cut to a close-up of a young woman (Simone Mareuil) being held by the man. Please expand the article to include this information. One, say, said: "A man drags double bass." Don't know about you, but I am un chien andalusia Debaser * Thanks to water for pointing out that this progression is not in fact II - V - I , as I had originally — and idiotically, for someone with three semesters of music theory under his belt — claimed. un chien andalusia I am un chien andalusia I am un chien andalusia I am un chien andalusia Wanna grow up to be Be a debaser Debaser Debaser. The subsequent title card reads "eight years later". She emerges from the building and attempts to revive the young man. It uses dream logic in narrative flow that can be described in terms of the then-popular Freudian free association, presenting a series of tenuously related scenes. Songs You Love If You Love Nerds; NEW SONG: AC/DC - "Shot In The Dark" - LYRICS; HOT SONG: 21 Savage x Metro Boomin - … Debaser. I am Un Chien Andalusia I am Un Chien Andalusia I am Un Chien Andalusia I am Un Chien Andalusia Wanna grow up to be Be a debaser, debaser Debaser, debaser Got me a movie, want you to know Slicing up eyeballs, want you to know Girlie so groovy, want you to know Don't know about you According to Buñuel, they adhered to a simple rule: “Do not dwell on what required purely rational, psychological or cultural explanations. "[2] They were fascinated by what the psyche could create, and decided to write a script based on the concept of suppressed human emotions. A likely apocryphal account claimed that two miscarriages occurred while watching the film. Un Chien Andalou (1929) Trivia on IMDb: Cameos, Mistakes ... the line "I am un chien andalusia" can be heard being screamed by the lead vocalist, Frank Black. Rock music fans around the world watched the film in its entirety during David Bowie's Isolar – 1976 Tour. "Debaser" was later released as a single in 1997 to promote the Death to the Pixies compilation. With Pierre Batcheff, Simone Mareuil, Luis Buñuel, Salvador Dalí. They were first added to a print of the film in 1960 under Buñuel's supervision. But I am un chien andalusia. "I am un chien andalusia" actually mixes English ("I am"), Spanish ("un", which exists in French, but is actually pronounced as in Spanish), French ("chien"), and something undetermined ("andalusia" as such is neither French nor Spanish). It was Buñuel's first film and was initially released in 1929 with a limited showing at Studio des Ursulines in Paris, but became popular and ran for eight months.[1]. Girly so groovy refers to the man in Un Chien Andalou's obsession with the woman. He actually sings the feminine version (Une Chienne Andalusia) (think I spelled that right.) The young woman goes to answer the door and does not return. Luis Buñuel and Salvador Dalí present 16 minutes of bizarre, surreal imagery. I am Un Chien Andalusia I am Un Chien Andalusia I am Un Chien Andalusia I am Un Chien Andalusia. Klik tautan Sunting untuk melakukan perubahan pada halaman ini atau tambahkan halaman lain. [14] Through the use of intense lighting, and bleaching of the calf's skin, Buñuel attempted to make the furred face of the animal appear as human skin. [20] The audience's positive reception of the film amazed Buñuel, who was relieved that no violence ensued. [26] This was the beginning of years of insults and threats that haunted Buñuel until his old age. The film starts with the scene in which an eyeball is being cut open. I am un chien andalusia I am un chien andalusia I am un chien andalusia. [15], In Buñuel's original script, the final shot was to feature the corpses of the man and woman "consumed by swarms of flies". Further details may exist on the, List of films with a 100% rating on Rotten Tomatoes, "Un Chien andalou-Library Films and video art", "On Some Motifs in Poe: Jean Epstein's La Chute de la maison Usher", "Un chien Andalou (An Andalusian Dog, 1929)", "Un Chien Andalou Movie Review (1928) - Roger Ebert", "The 25 Most Shocking Moments in Movie History", The Criminal Life of Archibaldo de la Cruz, The Ghost of Vermeer of Delft Which Can Be Used As a Table, Soft Construction with Boiled Beans (Premonition of Civil War), Apparition of Face and Fruit Dish on a Beach, Shirley Temple, The Youngest, Most Sacred Monster of the Cinema in Her Time, Slave Market with the Disappearing Bust of Voltaire, Geopoliticus Child Watching the Birth of the New Man, Dream Caused by the Flight of a Bee Around a Pomegranate a Second Before Awakening, The Disintegration of the Persistence of Memory, Young Virgin Auto-Sodomized by the Horns of Her Own Chastity, The Discovery of America by Christopher Columbus, A Sunday Afternoon on the Island of La Grande Jatte, https://en.wikipedia.org/w/index.php?title=Un_Chien_Andalou&oldid=1001310143, Short description is different from Wikidata, Wikipedia articles needing rewrite from November 2018, Articles to be expanded from November 2018, Creative Commons Attribution-ShareAlike License, Robert Hommet as Third Young Man (uncredited), Kieran Agterberg as Seminarist (uncredited), Fano Messan as Androgynous Young Woman (uncredited), Jaime Miravilles as Fat seminarist (uncredited), This page was last edited on 19 January 2021, at 03:47. Un Chien Andalou (French pronunciation: [œ̃ ʃjɛ̃ ɑ̃dalu], An Andalusian Dog) is a 1929 Franco-Spanish silent surrealist short film by Spanish director Luis Buñuel and artist Salvador Dalí.It was Buñuel's first film and was initially released in 1929 with a limited showing at Studio des Ursulines in Paris, but became popular and ran for eight months. The Noaille family quickly withdrew the film after it was banned by the Prefecture of Police of Paris. But when the proposal of one liked the other, it seemed to us magnificent, indisputable and immediately introduced into the script.”[3], In deliberate contrast to the approach taken by Jean Epstein and his peers, which was to never leave anything in their work to chance, with every aesthetic decision having a rational explanation and fitting clearly into the whole,[4] Buñuel made clear throughout his writings that, between Dalí and himself, the only rule for the writing of the script was: "No idea or image that might lend itself to a rational explanation of any kind would be accepted. I want you to know Girlie so groovy I want you to know Don't know about you But I am un chien andalusia I am un chien andalusia I am un chien andalusia I am un chien andalusia Wanna grow up to be Be a debaser (Debaser) Debaser (Debaser) Debaser (Debaser) Debaser (Debaser) Debaser (Debaser) Debaser (Debaser) Got me a movie Ah ha ha ho Slicing up eyeballs Ah ha ha ho Girlie so … It was accepted only that which struck us, regardless of the meaning ... We did not have a single argument. During the bicycle scene, the woman who is sitting on a chair, reading, throws the book aside when she notices the man who has fallen. First shown in November 1930, it was received extremely coldly. The young woman looks at the first young man with disgust, and leaves the apartment sticking her tongue out at him. [2] The title of the film is a hidden reminiscence from the Spanish saying: "the Andalusian dog howls-someone has died!” The screenplay was written in a few days. The film includes a scene in which a woman's eye is slit by a razor, which is referenced in the song lyric "Slicin' up eyeballs/I want you to know." Buñuel told Dalí at a restaurant one day about a dream in which a cloud sliced the moon in half "like a razor blade slicing through an eye". “No,” the other objected. It may have something to do with Salvador Dali's film "Un Chien Andalou", but that's just a wild guess. [19], The first screening of Un Chien Andalou took place at Studio des Ursulines, with an audience of le tout-Paris. The young man appears near the door. [33], Premiere ranked the opening scene as 10th out of "The 25 Most Shocking Moments in Movie History". The crowd clears when the policeman places the hand in the box previously carried by the young man and gives it to the young woman. After its "triumphant premiere", Un Chien Andalou was bought by the owner of "Studio-28". She calmly stares straight ahead as he brings the razor near her eye. Dalí had the large eyes, grace, and timidity of a gazelle. Wanna grow up to be Be a debaser (Debaser) Debaser (Debaser) Debaser (Debaser) Debaser (Debaser) Debaser (Debaser) Debaser (Debaser) Got me a movie Ah ha ha ho Slicing up eyeballs Ah ha ha ho. I more or less stopped drinking so weekend trips to get Trillium no longer make sense. A cut occurs to the young woman from the first scene, who has been reading in a sparsely furnished upstairs apartment. AZLyrics. 37 of 41 ... Magazine"'s review of Pink Flamingos (1972), they called it "Beyond pornography...the nearest American film to Bunuel's 'Andalusian … A slow transition occurs focusing on the armpit hair of the young woman as she lies on the beach and a sea urchin at a sandy location. A middle-aged man (Luis Buñuel) sharpens his razor at his balcony door and tests the razor on his thumb. I missed out on seeing The Pixies when they were good. [2], Critic Tom Ewing of Freaky Trigger, although noting it wasn't a single until 1997, described it as "the best single of the 1980s. [31], Film scholar Ken Dancyger has argued that Un Chien Andalou might be the genesis of the filmmaking style present in the modern music video. The second young man forces the first one to throw away his nun's clothing and then makes him stand with his face to the wall, as if in disgrace. The chronology of the film is disjointed, jumping from the initial "once upon a time" to "eight years later" without events or characters changing. She hears the young man approaching on his bicycle and casts aside the book she was reading (revealing a reproduction of Vermeer's The Lacemaker). “Got me a movieI want you to knowSlicing up eyeballsI want you to knowI am un chien andalusia!Wanna grow up to be,Be a debaser…” Pixies, Debaser Un Chien Andalou, the 1929 short film collaboration by director Luis Buñuel and painter and professional showman Salvador Dali, is one of the most daring and influential films ever […] The young man and the young woman stare at his hand, which has a hole in the palm from which ants emerge. During the original 1929 screening in Paris, Buñuel selected music which he played live on a gramophone. In Un Chien Andalou Short looks at the notorious opening in detail, and in order for him to do so the sequence is repeated, making this quite possibly the only audio commentary that is longer than the film it is attached to. Dalí, on the contrary, was reportedly disappointed, feeling the audience's reaction made the evening "less exciting". She is then run over by a car and a few bystanders gather around her. "[6], In his 1939 autobiography Buñuel said: "In the film the aesthetics of Surrealism are combined to some of Freud's discoveries. A version of this song was also used in the game DJ Hero 2, remixed with The Prodigy's song "Invaders Must Die"; this mix is available as downloadable content for the game. Great shit, either way. Pixies - Debaser Got me a movie I want you to know Slicing up eyeballs I want you to know Girlie so groovy I want you to know Don't know about you But I am un chien andalusia … I am the Andalusian Dog. I Am Un Chien Andalusia. The idea for the film began when Buñuel was working as an assistant director for Jean Epstein in France. Another cut occurs to the moon being overcome by the cloud, then a cut to a close up of a hand slitting the eye of an animal with the razor (which happens so quickly the viewer may believe it was the woman's eye), and the vitreous humour spills out from it. A group of men come and carry his corpse away. "[29] This new film ultimately was released in 1930 under the title L'Age d'Or. Directed by Luis Buñuel. The lyrics are based on a surrealist film by Luis Buñuel and Salvador Dalí called Un Chien Andalou. During its eight-month run, forty or fifty informers came to the police with a demand to ban such an indecent and cruel film. but i am un chien andalusia wanna grow up to be be a debaser, debaser got me a movie ha ha ha ho slicing up eyeballs ha ha ha ho girlie so groovie ha ha ha ho don't know about you but i am un chien andalusia debaser Submit Corrections. Among the most enthusiastic viewers of the film were the wealthy couple Viscount Charles and Marie-Laure de Noailles, who commissioned Dalí and Buñuel to create a sequel, of around the same length, with sound, to be called La Bête Andalouse, in order to affirm its connection with Un Chien. Un Chien Andalou (French pronunciation: ​[œ̃ ʃjɛ̃ ɑ̃dalu], An Andalusian Dog) is a 1929 Franco-Spanish silent surrealist short film by Spanish director Luis Buñuel and artist Salvador Dalí. The most obvious Pixies song to reference Surrealism is “Debaser,” which directly mentions "Un Chien Andalou" (“An Andalusian Dog”), ... Don’t know about you, but I am un chien andalusia. The woman represents lust by the way. Based on French surrealistic film "Un Chien Andalou" (An Andalusian Dog), by Spanish director Luis Bunuel (1928). The song was written and sung by frontman Black Francis and was produced by Gil Norton during Doolittle's recording sessions. She finds the young man in the next room, dressed in his nun's garb in the bed. The lyrics are based on a surrealist film by Luis Buñuel and Salvador Dalí called Un Chien Andalou. Got me a movie I want you to know Slicing up eyeballs I want you to know Girlie so groovy I want you to know Don’t know about you But I am un chien andalusia I am un chien andalusia I am un chien andalusia I am un chien andalusia Wanna grow up to be […] Pixies Got me a movie I want you to know Slicing up eyeballs I want you to know Girlie so groovy I want you to know Don't know about you But I am un chien andalusia I am un chien andalusia I am un chien andalusia I am un chien andalusia Wanna grow up to be Be a debaser (Debaser) Debaser (Debaser) Debaser (Debaser) Debaser (Debaser) Debaser (Debaser) Debaser (Debaser) Got me a movie Ha ha ha … Pixies. The young man seems to take sadistic pleasure in the androgynous young woman's danger and subsequent death, and as he gestures at the shocked young woman in the room with him, he leers at her and grasps her breasts. She goes to the window and sees the young man lying on the curb, his bicycle on the ground. In the earliest version of the song, the line "un chien andalusia" was originally "Shed, Apollonia! Creeeeeeeeepy movie...but isn't the movie called Un Chien Andalou, or is it Un Chien Andalusia? The screenplay of the film “Andalusian Dog” is based on two dreams of its creators Luis Buñuel and Salvador Dali. [21] Buñuel since claimed that prior to the show, he had put stones in his pockets "to throw at the audience in case of disaster", although others had no recollection of this. I am un chien andalusia I am un chien andalusia I am un chien andalusia. 1991. However, in an interview in 1975 or '76, Buñuel claimed that he had used a dead calf's eye. He actually sings the feminine version (Une Chienne Andalusia) (think I spelled that right.) Later, the young woman assembles pieces of the young man's clothing on a bed in the upstairs room, and concentrates upon the clothing. The single appeared in three forms: live, studio and demo. ( 1928 ) director Luis Bunuel ( 1928 ) crawling with ants in! Sequel was not a success with Parisian high society drags double bass. 1975 or '76 Buñuel! To pursue, the movie contains several thematic references to Federico García Lorca and other writers that! The idea for the film began when Buñuel was working as an assistant director for Jean in... [ 34 ], premiere ranked the opening scene as 10th out of `` 25... Answer the door contrary, was reportedly disappointed, feeling the audience 's positive reception of the song the... French surrealistic film `` Un Chien Andalou. [ 35 ] of creators! Creators Luis Buñuel and Salvador Dalí called Un Chien Andalusia I am Un Chien Andalou 's obsession with the.. 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